Am I stretching the friendship, posting “Street Photographs” on a travel photo blog site? …I did travel to take these photos:
4000 kms to Perth, 1000 kms to Brisbane, 21 Kms to Sydney CBD, etc.,
…I could weave in a bit of travel commentary somewhere.
WARNING: Some of these photos, and their titles, are “cryptic”
I was a late starter. I only became seriously interested in photography during my early fifties. And I didn’t discover the work of Trent Parke, as seen in his 1999 book “Dream/Life” until a year or so later. Then, almost immediately I wanted to take photos of people “on the streets”. I loved the way Trent Parke used light and “out of focus” subjects in his B&W photos. If you know Trent Parke’s work you may see some influence in the next two shots.
I sat and waited on the opposite footpath of a Perth city street, until a pedestrian walked out of the shadow into this slither of light.
I have enjoyed my many visits to Perth. It offers plenty of sunshine, great retaurants and cafes, quality boutique breweries, beaches and sporting events etc.. And its not too far from there to the night life and boating oportunities of Fremantle. A three hour drive gets you to the vineyards of Maragaret River and other great destinations along the way.
Dressed like a kitchen aid from an up-market hotel, this lady was pushing what I assumed to be a stainless steel food trolley down the footpath towards…….who knows where?
Another big influence has been the work of Saul Leiter, one of the early exponents of colour photography. Much of his work was created on the streets of New York and Chicago where he shot through windows, used the reflections from windows and focused on bold coloured subjects. I was ecstatic when I discovered the work of Saul Leiter, as I had already been tentatively attempting this type of phototgraphy.
Nothing better to do, the construction worker across the road is biting her nails. They must have been tough nails as she persisted for quite a while.
You’ll have to figure out this one for yourself. I got all tangled up, somehow.
These two guys were about to enter the ferry wharf. I assumed they intended to catch the ferry.
If visiting Sydney you must take a ferry ride from Circular Quay to Manly. It’s a 25 minute journey and offers views of one of the most picturesque harbours in the world.
My next exciting photographic discovery was the work of William Klein, a French Amercian photographer. He mainly used B&W film for street work, although he did fashion magazine work in colour. What struck me most was just how grainy, gritty and confronting Klein’s street work is. He shot from close proximity and sometimes actively provoked his subjects to create action or aggression.
This group was on a free walking tour of the Sydney CBD. The lady in the green hoodie is the tour guide.
The guy leaning against the QVB, stone pillar seemed quite protective of his artist friend. The artist was doing some great work, but I dared not take any pictures of it.
Should a street photographer be an observer who “documents” street life, without attempting to affect the behaviour of the subjects? Or should the street photographer interact with the subject to influence the shot? It seems the established street photographers are divided on this. And of course, it depends on what one is are wanting to achieve.
In general I prefer to be an observer, attempting to capture the spontaneity of the situation – a “life is stranger than fiction” approach.
The young baker came out towards the counter when he saw this young “chick” arrive at the counter. And he couldn’t take his eyes off her.
I was having breakfast “alfresco” when I noticed the people dining at the next cafe. The picture seemed complete when the lady in the red coat walked into the scene behind the bloke with the red stripes on his bag. But my questions still remained unanswered.
After crossing the road this guy came and asked if I had taken his photo. Of course I said “yes”, and after a brief, friendly conversation he walked away happy about it.
These two sat talking for as long as I was in the area and stayed in much the same position all that time. This could be their lounge room?
All the lines in this photo lead to the………..?
Keep Safe and see you next time.
For photographs by, and further information on, the photographers mentoned, please use the following links:
Trent Parke – His page on the Magnum Photos website
William Klein – a third party website discussing his life and work